Rick Rosner tells Scott Douglas Jacobsen that sharp movie dialogue comes from cutting: show, don’t tell, and dodge clichés like “We’ve got company” or “Chop, chop.” Keep audiences oriented through action, not exposition. He riffs on Bond’s implausible durability and imagines alternatives—a centuries-old vampire spy, or a post–near-death Bond with OCD who grades every move—fresh premises that justify survival without speeches. Rosner cites The Accountant as adjacent but abrasive. Big franchises second-guess scripts for precision. Great actors prefer fewer, stronger lines; compress three sentences into one natural beat. Concision, novelty, and situational clarity make dialogue land and performances sing too.