Rick Rosner riffs on screen “great-man” jawlines, wondering if the actress is Sydney Chandler, and cites tall, strong-faced performers like Katey Sagal, Sigourney Weaver, and Geena Davis. He recalls chewing gum as a mouthguard while working bars, sporadic real fights versus triumphant fight dreams, and a 1998–99 sucker punch that cost him $959 and his job. Pivoting to Alien: Earth, he notes the heroine’s synthetic brain with wireless telemetry and a multi-species arc. He contextualizes xenomorph sexuality—facehuggers, cocooning, Alien: Resurrection’s hybrid—via H. R. Giger’s biomechanical aesthetic. He contrasts the sensual 1970s with today’s AI mash-ups, where filters mute tropes and echoes.